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Eternity's Sunrise: The Imaginative World of William Blake
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Review
“Lucid and absorbing, . . . [with] an attractive hint of a secret passion [and] an unusual sense of ease and intimacy with Blake’s work.”—Michael Wood, New York Times Book Review (Michael Wood New York Times Book Review)“This astute, generously illustrated study is an excellent introduction to William Blake. It will help both new and experienced readers to understand Blake as poet, painter, engraver, printer—and as a person.”—Andrew Lincoln, Queen Mary University of London (Andrew Lincoln)“Acclaimed scholar and biographer Damrosch brings decades of study to this analysis of William Blake's art, poetry, religion, and philosophy. . . . The author's study of the man and clear style makes this much easier to read and tempts readers to seek out more. . . . Damrosch expertly navigates Blake's ‘questing imagination,’ which ‘has never ceased to startle and inspire.’ General readers looking for a challenge will love this book and will dive into Blake's work.”—Kirkus Reviews, starred review (Kirkus Reviews)“Damrosch’s readings are nuanced, sensitive, and deeply perceptive, touched with wonder at the poet’s originality and alive to the ways that Blake’s beliefs presented ‘a wide-ranging challenge to orthodox morality.’ With generous illustrations, including a gallery of breathtaking full-color plates, Damrosch’s study will build an appreciation among scholars and general readers alike for Blake’s ‘vast, complicated myth’ and reinforce his place in the Western canon as a ‘profound thinker’ and creative genius ‘not in a single art but in two.’”—Publishers Weekly, starred review (Publishers Weekly)"Leo Damrosch’s luminous new book on William Blake forsakes esoteric scholarship and addresses itself to the common reader who is invited to a festive celebration of the great English poet who was also an extraordinary visual artist and a profound and original thinker."—Harold Bloom (Harold Bloom)“[An] excellent book, . . . [aiming] to be introductory in the best sense: ‘to help nonspecialists appreciate Blake’s profoundly original vision and . . . the symbols in which he conveyed it.’ . . . Scores of illustrations and color plates give us a small portion of Blake’s countless prints, engravings and watercolor designs, and his career is treated with admirable fullness.”—William Pritchard, Wall Street Journal (William Pritchard Wall Street Journal)New York Times Book Review, Editors’ Choice (New York Times Book Review Editors’ Choice)“As I read the first beautifully written chapters of Leo Damrosch’s Eternity’s Sunrise: The Imaginative World of William Blake, I was inspired to look even more carefully at Blake’s composite art. Damrosch’s prose flows, filled with imaginative lucidity.”—Susanne Sklar, Arts Fuse (Susanne Sklar Arts Fuse)“[An] intimate book, part biography, part critical reflection, and part a scholar’s testimony to the experience of actually teaching Blake over many years. . . . Damrosch writes movingly of his own convictions. . . . The main sweep of his book carries the reader as steadily as possible into the increasingly complex world of Blake’s private mythology, while ingeniously relating it to his illuminated manuscripts (many beautifully reproduced in color, and some decidedly weird). . . . Damrosch keeps a fine eye on the revealing biographical detail that continuously anchors Blake in the real world.”—Richard Holmes, New York Review of Books (Richard Holmes New York Review of Books)A Kirkus Reviews Best Book of 2015 (Kirkus Reviews)
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From the Author
Praise for Leo Damrosch’s Jonathan Swift: His Life and World “This will be the definitive life of Swift for years to come.”—Jonathan Bate, New Statesman “Superb. . . . Damrosch’s outstanding book has raised Swift’s provocative genius to life. . . . Damrosch has brought [Swift’s] vision into sharp focus and exposed its disquieting relevance.”—Jeffrey Collins, Wall Street Journal “[A] commanding new biography. . . . Damrosch is gifted with a fluent style [and] sturdy sense of humor.”—John Simon, New York Times Book Review (Editor’s Choice) “Damrosch tells this story . . . with great energy and elegantly worn erudition. He restores to Swift the dignity he deserves, reminding us that the really shocking things about him lie not in his life but in his work.”—Fintan O’Toole, New York Review of Books “Leo Damrosch conjures up Jonathan Swift with hallucinatory vividness, allowing the contradictions of this baffling, elusive genius full rein. He recovers in rich detail the world in which Gulliver's Travels and other enduring masterpieces were created. This is a brilliant and humane biography.”—Stephen Greenblatt, author of The Swerve: How the World Became Modern “A lively and pleasurable experience: vigorous, compassionate, occasionally pugnacious, sometimes laugh-out-loud funny. . . . Damrosch’s book, and the centuries-old voices in it, are alive and talking to us.”—Laura Collins-Hughes, Boston Globe Winner of the 2013 National Book Critics Circle Award for BiographyA New York Times Notable Book of 2013Finalist for the Pulitzer Prize and Plutarch AwardNamed a Best Book of 2013 by the Daily Beast literary editor Lucas Wittmann
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Product details
Hardcover: 344 pages
Publisher: Yale University Press; First Edition edition (October 27, 2015)
Language: English
ISBN-10: 0300200676
ISBN-13: 978-0300200676
Product Dimensions:
7 x 1 x 9 inches
Shipping Weight: 1.6 pounds (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
14 customer reviews
Amazon Best Sellers Rank:
#95,645 in Books (See Top 100 in Books)
Leo Damrosch includes the important biographical details of Blake’s life, but his “Eternity’s Sunrise: The Imaginative World of William Blake†focuses on Blake’s artistic vision. He addresses both Blake’s art and poetry, emphasizing how intimately the two were connected. But his primary focus is Blake’s art (the book includes two sets of black-and-white illustrations of Blake, various locations, and people he knew, and 40 color plates of his artwork).We see traced all of the various influences on and sources of his art. Many of the colored drawings were part of commissioned works by patrons and others, and many were his own creations, a kind of early form of self-publishing. All were generally printed in very small quantities – a press run of 4 or 5, or perhaps 20, was not unusual. Some works were reprinted over time, so that there could be several editions printed over a span of 40 years.Many fellow poets and artists thought Blake a bit mad (and often more than a bit), but Samuel Taylor Coleridge was one who saw Blake’s genius. Of course, Coleridge was himself given to visions.Blake’s works combining art and poetry included the familiar Songs of Innocence and Songs of Experience, but other subjects caught his eye as well. These included religious subjects, like The Marriage of Heaven and Hell; biographical subjects like Milton; the city of London as a kind of new Jerusalem; and apocalyptic subjects. He also created his own mythologies, and even was writing (and drawing) orcs almost 150 years before J.R.R. Tolkien.Damrosch has also written “The Sorrows of the Quaker Jesus: James Naylor and the Puritan Crackdown on the Free Spirit†(1996); “Jean-Jacques Rousseau: Restless Genius (2005); Tocqueville’s Discovery of America†(2011); and “Jonathan Swift: His Life and His World†(2013).What Damrosch helped me to understand about Blake was how integral his art was to his poetry, and how integral his poetry was to his art. They were woven together as the same cloth.The title, “Eternity’s Sunrise,†is taken from another unpublished poem found in Blake’s notebook:EternityHe who binds to himself a joyDoes the winged life destroyHe who kisses the joy as it fliesLives in eternity’s sunriseBlake’s life was a struggle for acceptance and understanding, as well as a financial struggle. It took more than a century, but he was eventually understood, as if he were writing for generations yet unborn. And he indeed kissed the joy as it flew.
One of the better books on Blake given that it is concise and not too technical. Half the book is text, half plates (or pictures of Blake's awesome art).Damrosch's book is easy to read and covers the main points of interest in a superior fashion to numerous ponderous works one reads on Blake and his times. This book is certainly head and shoulders above June Singer's book on Blake and Jung.It is recommended over Tobias Churton's book "Jerusalem," which mistakenly treats Blake both as a Christian and a Gnostic. He was neither. Those who advocate this line rarely provide us with substantial proof of their position. They simply wheel out one or two flimsy anecdotes found in the works of previous misguided authors. The proof that Blake was neither a card-carrying Christian or Gnostic is overwhelming, from his own work and from perceptive scholars such as Damrosch and others. Moreover, Churton's work "Jerusalem" appears to be a rehash of Kathleen Raine's masterly book "Golgonooza." I suggest one reads the latter rather than the former author.The main criticism is that before getting to an essential section on Blake's ideas about women and their role in the Fall of Spirit, Damrosch lingers on media-tasty bites such as Blake's possible insanity, homosexuality and misogyny. In doing so, he weakens the following section and his later remarks, thereby prejudicing the conclusions of most uninformed readers. An average reader is set up to summarily dismiss the section dealing with Blake's perceptive but controversial ideas on the female psyche. This is a subject that has never been sufficiently addressed by any author on Blake, no matter how otherwise competent.Damrosch and his editor clearly do not agree with Blake's ideas on women, and have customarily attempted to cast doubt on Blake's sanity before dealing with his unique theories on the subject. The author's own bias clearly mars this section, although it really does not matter because the section is short and not overly informative. It was written with enough basic information for most readers who probably share Damrosch's antipathy to probing insights and investigations that remove the mystique from women. Any reader who has placed women on pedestals will have no time for Blake in any case. One can see that Damrosch himself would rather have avoided writing the section in question, preferring to cover safer, far less controversial, areas of Blake's canon. So it is for most Blake scholars.Despite this kid-gloves approach, the book is worth reading for anyone trying to understand Blake's complex mind. Bear in mind, however, that the great poet was neither insane. homosexual or misogynistic. His vision into the nature of reality went as deep as it can go.Another good book for beginners is "Golgonooza: City of Imagination," by Kathleen Raine. Her other books on Blake are also worth reading. The best books on Blake are of an academic level so I won't list them here.
Leo covered a difficult and complex author quite well. Blake has his own cosmology and dictionary--that's how complex he is. He was weird, a visionary, and outright original. Grab this book to understand the greatest English poet ever. If you're fond of classic literature, this is essential. Even if you don't like/read the Bible, we all know statistically it's the most influential book on the plant. Blake makes the stories more interesting and digestible. (Blake was so dissatisfied with the first five books of the Bible, he rewrote them! Read The Book of Urizen: Quite the blasphemer.) You'll love the images this author chooses: they're perfect.
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