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The Artist's Complete Guide to Facial Expression, by Gary Faigin
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About the Author
Gary Faigin trained at the Art Students League and the Ecole des Beaux Arts de Paris. He has taught at the National Academy School of Design and at Parsons School of Design; currently, he is the artistic director of the Gage Academy of Art in Seattle, where he lives.
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Product details
Paperback: 288 pages
Publisher: Watson-Guptill; 2nd edition (August 19, 2008)
Language: English
ISBN-10: 0823004325
ISBN-13: 978-0823004324
Product Dimensions:
8.3 x 0.8 x 10.9 inches
Shipping Weight: 2 pounds (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
129 customer reviews
Amazon Best Sellers Rank:
#50,755 in Books (See Top 100 in Books)
I think carefully reading this book cover to cover will get you the most value, and I am working on that. But the pictures and descriptions in each section are useful as well, so if you’re in a rush and trying to figure out why your drawing isn’t expressing the emotion you were hoping for, flipping to that emotion’s section can give you a lot of helpful information. My one complaint is that fear gets the fewest pages and least details of the big four emotions (fear, joy, anger, sadness). I found this disappointing because of the particular project I bought the book for. I would love an expansion on the information and pictures in that section, particularly for the more subtle expressions like anxiety, worry or concern. Most fearful faces I see in real life do not have their mouth open in panic, but are still powerfully evocative. This is addressed in the book, but with less detail than other sections.And this doesn’t belong in this book, but I would love a similar exploration of body language and physical poses that go with each emotion. I found myself acting out the expressions while trying to understand the descriptions, and most that I tried brought out almost instinctual body motions (and believe me, I’m no actor!). It emphasized how much all of these expressions are shown in the entire body.
As a trained illustrator I found this book incredibly helpful. It exceeded my expectations as a learning tool. This book takes an advanced look at the anatomy of the skull and face and ties it directly to it's use in creating expression. This book upped my game by providing detailed knowledge on exactly how expression is formed and why, allowing me to use these tools to create more subtle and nuanced visual notes.This book focuses more on an anatomical look rather than resorting to a step by step "how-to" and is geared toward those who already have an understanding of the fundamentals of drawing in general, however the knowledge contained within would be useful to any level of skill or practice. I highly recommend this and it should be a staple on any artist's shelf.
I was VERY disappointed by the print quality of this book and returned it.This is an art instruction book yet the art was so poorly represented that it looked like the book was a photocopy of a photocopy.There was no way to distinguish values or even get a good idea of what the illustrator was trying to express in the drawings.Since my purchase, I have found out that many people have this problem with the book, and that the first printing (hardcover edition) is much better. I have not seen the first edition and it's only available through used book sellers.So good luck, and as for my review, I DO NOT RECOMMEND THIS BOOK AT ALL FOR ANYONE SERIOUSLY STUDYING ART FOR THE REASONS ABOVE.~Laura
When drawing or painting people, getting the facial expression right is very important. This book mentions that the old masters were masters of facial expression. Well, this book will help you get the facial expressions on your people right. For example, there's such a thing as a 'real' and 'fake' smile, and the artist has to decide which one they want to use for their painting or drawing. It would never do to draw a fake smile by mistake when the artist wants a real smile. Fear, disgust, surprise, and many other emotions are discussed in detail as well, with drawings and photos showing exactly which facial muscles are involved in producing each emotion.
Great instruction, poor reproduction of the artwork. Previous reviewers mentioned this issue, but when I checked the previews, this appeared to be an issue only with the soft cover. For those relying on those previews, the hardcover has the same overdrawn look as the softcover preview. Makes me wonder if these were switched, and the softcover actually provides a better reproduction of the artwork.
Awesome book for reference in drawing. Thank you. the good part of this book os that it shows different muscle parts and they are drawn. in pencil that allows the viewer better .....ability or . ...knowledge on how to use different poses of the face herself/ himself. i draw for enjoyment but have successfully exhibited in the past. i also like the different facial expressions shown.
I'm a sculptor, very interested in capturing expression, and have been looking for a good book of facial expressions for some time. I saw the title, ordered the book and was extremely disappointed when it arrived; the last thing I wanted was someone else's interpretations of facial muscles. I needed photographs of the real thing, so I set the book aside, intending to send it back.Then I took a class with a very well-known portrait sculptor, and was surprised to hear him recommend this same book. "But it only has pencil sketches!" I protested, "Shouldn't we use pictures of real people?""Forget photographs. You need to actually read the book. Have you?" he asked, "You must READ it, every page. This is the best facial reference for the sculptor that I have ever found."I followed his advice, and he's right. Faigin is an extremely talented sketch artist and his drawings will teach you a lot, but the accompanying text is really what makes this book work. He's carefully catalogued what each of the muscle groups in the face is doing throughout the expression of an emotion, and the sketches simply show what he's talking about. The text explains WHY we recognize certain muscle positions as a particular expression, and helps us understand the relationships of muscles, tissue and skin when the face moves.Faigin starts with how facial muscles portray key emotions, then moves to comparisons of different muscle groups in subtler positions. For sculptors, it probably helps to have a 3D model of the facial muscles (in addition to a mirror) handy while reading this book. But it's such a rich store of information that you'll learn plenty without them.
This book helped my son to learn to draw facial expression years ago, and so the Mrs. and I bought a copy for our niece, who is also quite the young artist. This is an amazing book and really helpful.
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