PDF Download Sounds Like Titanic: A Memoir

PDF Download Sounds Like Titanic: A Memoir

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Sounds Like Titanic: A Memoir

PDF Download Sounds Like Titanic: A Memoir

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Amazon.com Review

An Amazon Best Book of February 2019: True story: A poor, young Appalachian woman heads to an Ivy League with ambitions of becoming a concert violinist. When she gets there, she learns that she’s not nearly good enough, and she’s killing herself to make tuition. Still, she answers a job listing on a message board for a seat in some kind of “ensemble,” and she’s hired without an audition. Her first gig is selling CDs by a man only identified as The Composer at a booth in a craft fair while two other musicians (one on violin, the other on penny whistle) play low under loudly broadcast New Age-y music, which sounds vaguely, or maybe a lot, like the Titanic soundtrack. Soon she’s onstage with The Composer himself, touring the country in a derelict RV with a select “ensemble,” miming the music emanating from a hidden CD player for adoring crowds—an act Hindman dubs “Milli Violini.” In our new age of malleable facts and fungible truth, Sounds Like Titanic hits some trenchant notes on the nature of truth and uncomfortable observations on gender. She anguishes over both the deception (and an overwhelming fear of being caught) and what feels like the betrayal of a lifetime of support from family and her small-town community. But it’s also entertaining. Hindman somehow avoids any meanness of spirit, even while having a lot of fun at the Yanni-like Composer’s expense. (We’re never given the his real name, but one will speculate.) “Fake it till you make it”—a phrase Hindman never writes, probably consciously—might not be so bad, after all. --Jon Foro, Amazon Book Review

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Review

“Sounds Like Titanic would be unbelievable as a novel, but as a memoir it is deliciously bizarre and utterly American. It’s a Coen Brothers movie come to life―Ruby Tuesday, QVC, and one woman working for years as a fake violinist for classical music’s version of Thomas Kinkade. I couldn’t put it down.” - Caitlin Doughty, bestselling author of From Here to Eternity and Smoke Gets in Your Eyes“[An] outrageously funny, shrewdly meta memoir.” - O, The Oprah Magazine“[A] most original memoir, one in which the narrator’s intelligence deepens by the page…. I salute Jessica Hindman for having shaped so well a remarkable piece of experience.” - Vivian Gornick, author of The Odd Woman and the City: A Memoir“Sounds Like Titanic … is a memoir with bite. …[Hindman’s] fascinating personal story, with its unexpected twists, puts the memorable into this memoir.” - NPR“Brave and captivating. ” - Tucker Coombe, Los Angeles Review of Books“[A] rich, powerful book.” - Constance Grady, Vox“It’s difficult to write a funny, angry book. It’s even harder to write a merciless, empathetic book. But here comes Jessica Hindman, doing the impossible with a funny, angry, merciless, empathetic book that’s not only a hugely entertaining memoir, but an insightful meditation on a time in our nation’s recent history whose strange and ominous influence grows more apparent by the day.” - Tom Bissell, author of Apostle and coauthor of The Disaster Artist“Hindman is an emissary for a generation, repurposing its sarcasm and irony in a nuanced, humorous, and intelligent look at what it means to construct and consume fake realities in post-9/11 America.” - Angela Palm, winner of the Graywolf Press Nonfiction Prize for Riverine“It’s rare that a memoir―or any book―manages to be gripping, intelligent, witty, informative, and relatable all at the same time. Hindman mourns her lack of success as a professional musician, but we can all be endlessly happy she became a writer instead.” - Katherine Heiny, author of Standard Deviation“An evocative portrait of America’s literal and figurative landscapes, an incisive look at class and gender, and an examination of what authenticity means.” - Justin St. Germain, author of Son of a Gun

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Product details

Hardcover: 256 pages

Publisher: W. W. Norton & Company; 1 edition (February 12, 2019)

Language: English

ISBN-10: 0393651649

ISBN-13: 978-0393651645

Product Dimensions:

5.8 x 1 x 8.6 inches

Shipping Weight: 12.8 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

22 customer reviews

Amazon Best Sellers Rank:

#45,870 in Books (See Top 100 in Books)

This author was in high school with my children 20+ years ago, and her parents are friends. So, of course, I wanted to read Jessica's first published book. That's why I bought it. But that's not why I've chosen to review it and give it a five-star rating.Those stars were earned because this is not only a beautifully written book and a compelling story, it is also a book that required (on the part of the author) courage, intelligence, research, and brutal honesty to peel back the layers of lies, truth, perception, and raw emotion around several years of her life. It is ultimately a book about humanity and the many ways each person chooses to cope with life, luck (good and bad), hardship, and the stories we tell ourselves in an attempt to make sense of it all. it is also a fascinating and clear-eyed perspective on the challenges of coming of age in the late 1990s and the cultural and psychological impact of 9/11 on our whole society.Jessica toured for several years as a violinist with an ensemble who only pretended to play and the audience heard only canned music. This alone was a strange and fascinating story. Her myriad physical and mental health issues during this time were hard to read about, but she poignantly depicted the turbulence and danger of youthful anxiety and stress. The author tells her story with honesty and compassion...compassion for her young self and for the parents she knows she is lucky to have.Some of the writing took my breath away as it pulled me into her world and experiences. Her description of the emotional impact of the music she played on the violin in a high school concert from Fritz Kreisler's "Praeludium and Allegro in the style of Pugnani" was one of the most brilliant and masterful pieces of writing about a powerful musical experience I've ever read (think Ann Patchett's passages about opera in Bel Canto).Besides writing exquisitely, besides bringing us a fascinating story, besides taking us on a thoughtful journey through turn-of-the-21st-century culture and societal landmarks, Jessica Hindman has also shown us how to look at life, sift through the clues to its meaning, and find the strength to identify and hang on to what's true and worth preserving—how to navigate the pain, confusion, and messiness and still emerge with newfound insights, convictions, and appreciations—ones that will serve you well for the next leg of your journey.Bravo, Jessica. You've reminded us that we must never let anyone else define success for us. It is ours alone to define and embrace, as you have clearlydone in your own life.

I usually stick to fiction, because a character's life as invented by the author has to be more interesting than the real lives of people around us. But Jessica's account of working for The Composer is weirder than fiction. Sure, it's a story about being a violinist in fake concerts, but also manages to be a study on the nature of memoir, reality, growing up female in the nineties, undergraduate class conflict, a tour of America at war, and the unreliable narrator in our own heads.I really appreciated the vulnerability she put into this book. It allows even a reader with the most boring life to relate to the sometimes crazy experiences the author had. While Jessica is critiquing her young self for her inability to make a living doing something important, I'm admiring all of the ways that she at least tried, harder than most people ever try at anything. Before I even finished reading this book it was obvious that she had managed to do something important and creative: This book is brilliant. I can't wait to read what she writes next.

Most modern memoir writers fall short by relating and describing less than completely believable situations or characters. In short, they seem not quite honest or even almost fake. I doubt that any reader of "Sounds Like Titanic" will come to any such conclusion. Ms Hindman's memoir grabbed me from the beginning, kept me involved and interested and concerned throughout and when she emerged from her travails triumphant (almost, sort of) I wanted to cheer. This author may not have had the "rey ell gift" as a violinist but she certainly does as a writer. She's now one of my favorites.

This book grab me from the first sentence. It was well recommended to me, but I didn’t quite grasp the concepts… She’s playing music, but she’s not really playing?? It unfolds beautifully and so very honest Lee. I hope we hear from her again soon.

One thing I REALLY hated about this book: it ended! And the end snuck up on me like the end of my own musical career (replaced by a career in computers.). Keep writing Melissa...you have a reeayeall (sp?) gift! Peace

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Sounds Like Titanic: A Memoir PDF

Sounds Like Titanic: A Memoir PDF

Sounds Like Titanic: A Memoir PDF

Sounds Like Titanic: A Memoir PDF